Watchmen, the Citizen Kane of comic books, the last word in superhero stories, the Grand Poobah of clever clever sequential storytelling, has finally been made into a movie. Many years ago I lived in Wrexham, and this was around the time I was first getting into comics, so I would regularly trudge down to my local comic shop (more of a stall actually) and try to find something that was as good as Judgment On Gotham. Every time, and I mean every single time I went in there, the guy who ran it asked me if I had read Watchmen and that ‘they’ should make it into a film. I never really wanted to get in a conversation with him (he once asked me how many packs of condoms I thought he should take with him on a holiday abroad. The correct answer was that he should have probably got himself chemically castrated, just in case), but I always felt that there is no way Watchmen could be adequately filmed. It’s too long, too dense, and too entrenched in the medium of comics to work. As good as the story and characters were, the best thing about Watchmen is the way the story is told. And you would have to lose the whole Pirate thing.
It’s unfortunate that even amongst comics’ most ardent devotees, movies are seen as the superior art form, and the ultimate compliment (and goal) for a comic is to be adapted for the cinema. Ghost World is an okay movie but the comic is so much better. Spider-Man, X-Men and their sequels are adaptations and contractions of entire series, and don’t exactly tell specific stories (I’ll never forgive Sam Raimi for bastardising The Death of Gwen Stacy in the first one. Ah maybe, life’s too short).
However, and back on topic. The trailer to the Watchmen movie looks pretty awesome. No wonder Dave Gibbons is stoked. Maybe even the mighty Alan Moore will give it a look. C’mon Affable Al, it might be a laugh! Although I noticed that the music on the trailer is by Smashing Pumpkins. Now I like The Smashing Pumpkins. Mostly. After all, Billy Corgan is a well known control freak, and he invented ‘emo’ (does that make him an emomaniac?). BUT this song was last heard on the soundtrack to Batman & Robin truly one of the worst cinematic experiences of my life. Yes yes it’s an easy target, and even Joel Schumacher admits it’s terrible (apparently the DVD commentary is a hoot), but is this really an association the film studio wants to create? Maybe a grinning, neon Arnold Schwarzaneggar is just what this flick needs!